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Arthur Birling at the Beginning of Act One in An Inspector Calls. play in 1912, Edwardian Britain. The writer intentionally set the play. in 1912 to make the audience aware of social conscience. Another. reason why the play was set in personal ending, 1912 was because, some of the. historical events mentioned in essay travelling as a, the play, the audience would be. familiar with as they would have lived through the time and would know. the personal, real results of how they ended and what the causes were because. the era from commentary, which he set was very different to when he wrote the. play. In the play, when these events are mentioned, Arthur Birling. says the opposite to what actually happens such as when Birling show more content dining room surrounding the dining table; one of the ending, objects of their. ‘good solid furniture’ from their period. The atmosphere is. significant and deeply secure, but not cosy and homelike. The family. are clothed in evening dress, the men in white ties and essay, tails; not. dinner jackets.

The lighting at personal statement ending the beginning of Act 1 is pink and. Travelling As A! intimate, which creates a warm, welcoming and friendly feeling, until. the inspector arrives and the lighting changes and becomes brighter. and harder. This makes the personal statement, setting superior but the mood more disputed. when the Birlings and Gerald find out the reason behind the inspectors. businesses. He is narrative essay, former mayor and magistrate. He is very ecstatic. with his position and personal statement ending, the last thing he would want is change. Birling. On Refugees And Asylum Seekers! has achieved success in certain aspects of his life such as his. business, his wealth and his class but has failed in being a good. father, an employer or in any moral sense. The characteristics of his. Personal Statement! roles are those such as, he is hard-headed and practical, which he. admits himself when he has a conversation with his wife, Mrs Birling, and son Eric; ‘I’m talking as a hard-headed, practical man of. business.’ Arthur Birling has become an increasingly self-centred man. Ever more, his ego has enlarged after there being an opportunity of. him being put on the honours list to be knighted. The main The Role of Arthur Birling in An Inspector Calls by J.B. Priestley.

Birling strongly believes that “a man has to make his own way – has to essay travelling part look after himself – and his family too, of course” This quote shows just what is personal statement, important to him and in the order of importance they are. He believes he has to words for essays care for statement ending himself above all else, his family is merely an afterthought. He does not, at any point, consider the harm he might cause other people because of this attitude. He is confident that his success is due to the fact that he is a “hard headed Arthur Birling and Sheila Birling in essays on refugees seekers, An Inspector Calls by J.B. Priestley. imitating what she may have been thinking, 'as if to say-doesn't she look awful' but to personal ending no success. Mr. Essays! Birling on the other hand, expresses his indifference and doesn't change his mind, 'I can't expect any responsibility.' He refers to her as 'this girl', 'now about this girl'. He obviously just thinks of her as a silly little girl without a life or feelings.

The Inspector tries to make him feel guilty by putting the facts bluntly and saying 'You started it. She wanted Essay on Mrs Birling in An Inspector Calls. I consider ? is statement ending, a trifle impertinent Inspector?, indicating she does not like it when she is not superior to others or is undermined in some way. Throughout being questioned, Mrs Birling is reticent and has to be asked small details so the Inspector can extract the right information out of her, ?And if I was, what business is fun scholarship, it of yours?? indicating that she may have something to hide. Like her husband, Mrs Birling refuses to accept any responsibility for ending her actions and is constantly in denial The Importance of Birling#x27;s Interaction with the Inspector in Act One of words An Inspector Calls. The lower classes were treated harshly with no consideration. In 1912 the higher class had additional power than those of the lower class and they governed and led the country which left the personal ending, lower class no say or power in society.

Birling is the type of fun scholarship essay character the entire play warns against, 'a hard-headed business man' he believes that society is as it ought to be. The rich should remain rich and personal ending, the poor should remain poor, there is an immense gap between the two classes Comparison of The Attitudes Of Arthur Birling And Sheila Birling From An Inspector Calls by J.B. Priestley. Priestly uses the dramatic irony of this to show how misguided Birling is and what an irresponsible figure in society he is. He then says that by 1940 there will be peace and prosperity and rapid progress everywhere. Commentary Words! Priestly was writing this play in personal statement, 1934 he knew and so did everyone else at the time that Mr Birling was wrong. This shows us that what Birling was saying was a lie. It showed people how ignorant Mr Birling was. This made you wonder if all of his priorities were wrong Essay on How Is Mrs Birling Presented in an Inspector Calls. At this point Mrs Birling feels “distressed” and tries to pass of what she did “I didn’t know”.

The inspector is quite rude to Mrs Birling “do you want me to tell you-in plain words” and has to really prompt her to talk about what she did “Aren’t you?” “As what then?” this shows that Mrs Birling is a very proud woman and does not feel that any of her actions were wrong. Mrs Birling is a “cold” woman. This is show by her not wanting to take responsibility for her part in the death of oedipus the king Eva Smith. Essay Mr Birling in J.B. Priestley#x27;s An Inspector Calls. does. Many of the personal, characters reflect the hypocrisy, which Priestley was condemning.

For example, Mrs Birling is a very hypocritical character, she claims she is shocked by the fact that Eric has a drinking problem, but we can tell by her language that she is essays, not as shocked as she makes out, You don't get drunk to ending which Sheila replies Of course he does, I told you he did. (Act 3, Page 50) This could be interpreted in a number of ways, she could be lying to essay cover up the Difference in Reactions of Sheila Birling and personal ending, Her Father in essays, J.B. Priestley#x27;s An Inspector Calls. Birling doesn't feel guilty at all about this case, because he doesn't care. This shows when he says There's nothing mysterious-scandalous about this business, at least im concerned it's happened more then eighteen months ago nearly two years now, obviously it has nothing to do with the wretched girl suicide. When he says 'wretched girl suicide' this shows that he never really liked her at all and doesn't wish to remember her. Statement! Birling doesn't think about the links Dramatic Devices in essay of education, Act 1 of personal An Inspector Calls by J.B. Priestley.

Fairly near the beginning of the play Mr Birling mentions that the for essays, ship titanic is the unsinkable ship, he also mentions that war will never happen. However, Titanic did sink and we did go to war, and Priestley knew this when he wrote the play. I think the point Priestley is trying to personal statement ending make, is that Mr Birling thought he knew everything as a typical upper class man of that time would. Words! Priestley sows not only was Mr Birling wrong but also many other upper class men. Personal Statement Ending! The Effect of the Inspector#x27;s Visit on Sheila Birling in J.B Priestly#x27;s An Inspector Calls. off quite excited about her engagement to Gerald, then the inspector arrives and he makes her break down and tell the truth, she feels responsible for education the suicide of Eva/Daisy.

Sheila then tries to get her parents to tell the ending, truth to stop them from getting into trouble with the inspector, but Sheila’s parents font realise that Sheila is only trying to essays stop them from getting into more trouble with the inspector. J.B Priestly has made Sheila’s character different from

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On Virtue, Friendship, and statement, Political Participation in the film The Long Walk Home and in the book Contemporary Black American Cinema. The Long Walk Home. Directed by Richard Pearce. Screenplay by John Cork. Art Director Blake Russell, Cinematographer Roger Deakins, Editor Bill Yahraus. Producer Howard W. Koch Jr. New Visions/Miramax, 1990. Contemporary Black American Cinema: Race, Gender and words for essays, Sexuality at the Movies. Edited by Mia Mask. Courage, compassion, confidence, dignity, diligence, discipline, fairness, fellowship, generosity, gentleness, harmony, intelligence, knowledge, sensitivity, strength, and personal ending, wisdom are virtues, virtues that define the oedipus and hamlet, good character of human existence. The virtues can be taught, and they can be modeled, but they must be chosen and personal statement, cultivated in order to be possessed by anyone.

In the words for essays, film The Long Walk Home , written by personal statement John Cork, directed by Richard Pearce, and starring Whoopi Goldberg and Sissy Spacek, two women, one a household helper and one her white lady master, Odessa Cotter and Miriam Thompson, become friends and participants in the American civil rights movement of the mid-1950s. Their virtues and the intimacy of their work make the good they do possible. Whoopi Goldberg’s Odessa is one of her most significant roles. Narrative. Whoopi Goldberg, of course, is part of several traditions: a multifaceted woman performer, she belongs to a line that includes Ethel Waters, Josephine Baker, Lena Horne, Hattie McDaniel, Dorothy Dandridge, Diahann Carroll, Diana Sands, Cisely Tyson, Mary Alice, Gloria Foster, Diana Ross, Angela Bassett, Salli Richardson-Whitfield, Halle Berry, Viola Davis, Kimberly Elise, Anika Noni Rose, and Beyonce Knowles, transcendent and personal ending, popular artists. Goldberg is education narrative also one of the statement ending, great family of clowns, from Charlie Chaplin and Buster Keaton and Mae West to Lenny Bruce, Redd Foxx, Lily Tomlin, and Bette Midler. Goldberg is a chameleon—and she is always real. Richard Pearce’s The Long Walk Home is a rather plain film, with very little artifice or excess, a work that has lasted and will last: its drama and passions are rooted in truth. The Long Walk Home tells a simple story—of the Montgomery Bus Boycott—with a long past and seekers, many consequences: its meaning is shaped by the enslavement and segregation of a people, and the liberty and respect of a people. The enslavement of Africans—between thirty million and personal statement ending, one-hundred million—by the Portuguese, English, French, Dutch and oedipus essays, Americans, was undertaken for economic reasons and justified by propaganda about black inferiority, a form of thinking so effective that it survived the end of slavery and preserved negative social discriminations. The liberation of blacks had to be fought for everywhere—in law courts and statement, business offices and churches and homes and restaurants and stores and parks and on beaches. It was a necessary rebellion, a battle that continued in a war that had been declared won.

The Long Walk Home provides a view of the struggle, focusing on one woman’s refusal to ride on and hamlet, the segregated buses and the effect of that refusal on those she knows. With fairness, intelligence, and sympathy, the film imagines one woman’s ordinary life, its challenges, pleasures, and resilient strength, in a time of public conflict and social movement. Intelligence refers to awareness, evidence, logic, and statement ending, thought—and it is both ability and quality. With the foundation of the fun scholarship, American civil rights movement in moral principle and suasion, respect for law, knowledge of history, employment of eloquent language, and participation of the common man and woman in ending the use of the strategy of civil disobedience, the American civil rights movement was one superb demonstration of seekers, African-American intelligence, not the first nor the last. The National Association for the Advancement of Colored People ( NAACP ), The National Urban League, and personal ending, the Congress of Racial Equality were the most prominent groups agitating for change.

It is important to remember that although almost every Negro claims its inheritance, not everyone was involved in the movement. Yet, now, in the age of the brilliant, handsome, well-intentioned Barack Obama, the community organizer, lawyer, professor, and senator, the first African-American president of the oedipus the king and hamlet, United States of America, whose second inauguration—after his first-term promotion of progressive domestic social policy and questionable sustaining of two foreign wars, and personal statement ending, his second election to the nation’s highest office—fell on the day celebrating the birth of the country’s greatest civil rights leader, Dr. Commentary Words. Martin Luther King Jr. of the Southern Christian Leadership Conference, one can see how other demonstrations of African-American intelligence have been, and are, grounding and ending, nurturing inspiration for current triumphs and future efforts. In one field and another one can see liberated imagination and fun scholarship questions, intelligence. Personal Statement. We know that Benjamin Banneker helped to build the nation’s capitol but most of us, until we make a special effort to learn, do not know the names of other important African-American architects who designed structures and landscapes for narrative form and function, for beauty, community, protection, and use, such as Louis Bellinger, J. Max Bond Jr., John E. Brent, Albert Irvin Cassell, Robert T. Coles, Moses McKissack, William Sidney Pittman, Wallace Rayfield, Norma Merrick Sklarek, Jewel V. Woodson Tandy, Robert Robinson Taylor, and Paul Williams. African-American scientists and inventors such as the light bulb carbon filament inventor Lewis Latimer and personal statement, the train communication system creator Granville Woods and gas mask maker Garrett Morgan are known, though the recognition of education narrative essay, Otis Boykin (electronic control devices) and Patricia Bath (eye surgery for statement the blind) is less certain, as is that of oedipus and hamlet, Bessie Blount, Jan E. Matzeliger, Elijah McCoy, Alexander Miles, Shirley Jackson, and James E. West. Figures such as W.E.B.

Du Bois, Alain Locke, and Cornel West may be known as public intellectuals, and even as philosophers, but less so—for the general populace—are the trained and practicing African-American philosophers Michele Moody Adams, Anita Allen, Stephen Carter, Lewis Gordon, Leonard Harris, Tommy Lott, Charles Mills, Lucius Outlaw, Ken Perry, Adrian Piper, Lawrence Thomas, Naomi Zack, and George Yancy. Literary writers, from personal Jean Toomer, Countee Cullen, Langston Hughes and education essay, Zora Neale Hurston to Richard Wright, Gwendolyn Brooks, Ralph Ellison, James Baldwin and Lorraine Hansberry to James Alan McPherson, Toni Morrison, Toni Cade Bambara, Charles Johnson, David Bradley and August Wilson on to Percival Everett, Melvin Dixon, John Keene, Martha Southgate, and Michael Thomas, explored history and modern life and articulated new sensibilities and illuminated new possibilities. Ending. Distinguished painters, sculptors, and part of education, photographers are Edward Bannister, Dawoud Bey, Edward Clark, Aaron Douglas, Sam Gilliam, Barkley Hendricks, William H. Johnson, Rashid Johnson, Glenn Ligon, Reginald Madison, Edna Manley, Kerry James Marshall, Gordon Parks, Rose Piper, Martin Puryear, Faith Ringgold, John Robinson, Raymond Saunders, Henry Tanner, Mickalene Thomas, Bob Thompson, Carrie Mae Weems, and Kehinde Wiley. Choreographers, sometimes drawing on Africa, sometimes evoking the long black American history, sometimes inspired by personal statement ending abstract modern experiment, include Alvin Ailey, Ronald K. Brown, Ulysses Dove, Garth Fagan, Blondell Cummings, Katherine Dunham, Geoffrey Holder, Fred Holland, Judith Jamison, Lester Horton, Ishmael Houston-Jones, Bill T. Jones, Ralph Lemon, Bebe Miller, Dianne McIntyre, Arthur Mitchell, Eleo Pomare, Pearl Primus, David Rousseve, Harry Whitaker Sheppard, Gus Solomons Jr., and Jawole Willa Jo Zollar. Of course, music and sports and film are our most popular forms, exemplifying personal skill, talent, and thought, and cultural aesthetics and values, and human agility and worth. Essay Questions. “Each time you look at a blank piece of paper, you wonder how you’re going to do it, starting from scratch. Personal Ending. Your stories just take a different form,” said film writer and travelling, director Charles Burnett ( Killer of Sheep, To Sleep with Anger ) to James Ponsoldt for the Filmmaker article “This Bitter Earth” in personal 2007, going on to explain, “You want to do something that’s new and interesting and travelling, challenging. And each one is like starting all over again” (the interview is collected with others from personal statement 1980 through 2008 in Charles Burnett Interviews , University Press of Mississippi, 2011; page 156). More relevantly, most significantly, the motion picture The Long Walk Home is a work that helps to make vivid the nature and development and on metaphysics, potential of African-American experience, as do the films Antwone Fisher, Boomerang, Chameleon Street, Daughters of the Dust, Devil in a Blue Dress, Eve’s Bayou, Ganja and Hess, Get on the Bus, The Great Debaters, Jumping the Broom, Losing Ground, Sankofa , and Sidewalk Stories . Free Africans in Africa, the personal ending, land of Egypt, Kush, Carthage, Ethiopia, Ghana, and Mali.

The kingdoms of essay as a part, Benin, Dahomey, Oyo, and the Ashanti, kingdoms which became complicit with evil. Capture. Enslavement. Emancipation. Personal Statement. Reconstruction. Discrimination. Protest. Change. The civil rights tale told in The Long Walk Home is a story of knowledge and ignorance, of tradition and education essay, modernity, of kindness and statement, cruelty—a story of character and situation and emotion and manners. It is an oedipus essays, American story, about the personal statement ending, past and what is possible—a story of power and weakness, and transformation; and it has a resonance that Turgenev and fun scholarship, Dickens and Henry James would recognize.

The Montgomery bus boycott was long in personal ending coming, and found inspiration in essays a similar boycott that took place in Baton Rouge, Louisiana: Martin Luther King Jr. consulted with Reverend T.J. Jemison of Mount Zion Baptist in Baton Rouge. Reverend Jemison had been involved in the two-week June 1953 Baton Rouge boycott, with Raymond Scott of the statement, United Defense League and travelling, others, in what is believed to be the first American bus boycott. After a Baton Rouge bus service that was owned by African-Americans was ruled illegal in 1950, the town’s blacks were forced to ride the segregated bus lines, forming eighty percent of ridership, an example of whites refusing respect and personal statement, sabotaging independence. Money was taken from commentary words passengers in fees, and compromised—disrespectful, uncomfortable—service provided; and then when bus fares were raised in personal statement 1953 in January, community complaints were brought by Negro leaders to the City Council—and, while maintaining segregation, some of the bus seating rules were made more flexible, allowing blacks to words for essays, take free seats designated for whites rather than stand, but white drivers refused to observe the new ordinance. Personal Statement. Consequently, there was a community bus boycott, with money raised to pay for alternate transportation, a free-ride system, until observance of more fluid bus seating—first come, first served, except for the first and last rows of seats, those remaining segregated—was reinstituted in June, 1953. Oedipus And Hamlet Essays. However, the long history that came before the personal ending, Montgomery bus boycott is not given but is assumed in The Long Walk Home . Instead a small chapter, a small view, of the vital Montgomery boycott is given.

That is significant: as the education, film allows sight of the difficulties blacks faced and statement, the suitable tactics found for social transformation. Lord, don’t pass Montgomery by . “The surprise of the film is how intelligent and fun scholarship questions, moving it is,” wrote Owen Gleiberman in personal ending his January 18, 1991 Entertainment Weekly review of The Long Walk Home . Starring Sissy Spacek, Whoopi Goldberg, Dwight Schultz, Ving Rhames, Dylan Baker, and Erika Alexander, the motion picture gives history flesh, blood, and movement. “It’s an impassioned movie, with vehement, soulful performances from on metaphysics Whoopi Goldberg and Sissy Spacek, but it’s also a work of great restraint and ending, proportion,” wrote Hal Hinson in the Washington Post (March 22, 1991). The Long Walk Home arrived decades before the film The Help , which focuses on the relationship of black southern maids to questions, the white women they work for, with the maids in The Help including a longtime, loyal black maid impulsively fired, and a rebellious black maid who takes crude revenge on a disrespectful employer, as well as one maid with a spiritual sense and a small interest in writing. The Long Walk Home (1990) is much better than The Help (2011), which is sentimental and vulgar. Statement. “The melodramatic stereotypical story of black female domestics and white employers told in The Help is no new story,” wrote cultural critic Bell Hooks in “Help Wanted: Re-Imagining the Past” ( Writing Beyond Race , Routledge, 2013, though available in late 2012; page 63). It is impossible not to think that The Help , a motion picture directed by Tate Taylor based on Kathryn Stockett’s book, was popular because of narrative, its sentimentality and statement, vulgarity rather than in essay travelling as a spite of personal statement, them. The taste for work featuring African-Americans has always been complicated: and it is always hard to know whether to trust the judgments of whites or blacks regarding it. Of course, what that means is that while everyone has a right to his/her own opinion, and may see and say something of use, not just anyone’s response should be regarded highly, but that those who actually make a regular and thoughtful study of such work—and its history and fun scholarship, current context—should be consulted. In the statement, same shallow way as The Help , the film The Beasts of the Southern Wild (2012), written by travelling as a part of education its director Benh Zeitlin with playwright Lucy Alibar, received many accolades, though discerning reviews identified the film’s conceptual problems: about statement, a father and daughter living in education essay a watery Louisiana wilderness among a scavenging community, Beasts is an attractive and impressive film, and it is also a film that reanimates old, old ideas about the poverty and statement ending, passion of blacks. It is a film that basically assumes, even says, that those people are so strange, so different from us, that they cannot be judged in the same way: their virtues are not ours—and the things they do that might seem illogical or insane to fun scholarship essay, us, we must take as signs of statement, their tribal eccentricity. Beasts of the Southern Wild is fun scholarship essay a romance of primitivism.

There are better—more fair, generous, intelligent and true—visions of black youth and personal statement ending, family in Louisiana, from Sounder to Eve’s Bayou ; and a more contemporary, complex view of African-American (and white) southern life is to be found in the Home Box Office television program Treme , a great show. Why are the the king and hamlet, cheap and the lurid preferred to the complex and the true? Is that a continuation of the prejudice that made slavery possible, and that justified it? Is that corrupt image rooted in an attitude that assumes or prefers black inferiority? It is important to remember that one’s superiority cannot be proved simply by pointing to another’s error or flaw. Ending. One must demonstrate one’s principles; one must prove one’s valor—in act, spirit, and thought. Richard Pearce’s civil rights drama The Long Walk Home stars Sissy Spacek as Miriam Thompson and Whoopi Goldberg as Odessa Cotter, the two women who are employer and employee, first strangers then friends. Sissy Spacek is known for a wide range of work, including Carrie, Coal Miner’s Daughter , and Crimes of the Heart among many other films, as well as The Help , in which Spacek plays a mother who laughs—improbably—when she finds out her snobby daughter has eaten something disgusting.

Whoopi Goldberg, a comedian, actress, and talk show host, appeared in the films The Color Purple, Jumpin’ Jack Flash, Clara’s Heart, Ghost, Soapdish, The Player, Sister Act, Made in America , and The Deep End of the oedipus the king and hamlet, Ocean . She was in Tyler Perry’s For Colored Girls , his interpretation of statement, Ntozake Shange’s signature work, playing a passionate and cruelly spiritual woman. The husky-voiced Goldberg, an artistic descendant of Ethel Waters and Paul Robeson as well as Moms Mabley and Richard Pryor, is as unique a film presence as Streisand. In The Long Walk Home , Goldberg’s brave bohemian spirit is words for essays covered by the strategically humble and quiet manner of statement ending, a character with limited options and power: the essays and asylum seekers, manner is the self-obscuring language and gestures of blacks in the presence of personal statement ending, white power. Yet, Goldberg remains perceptibly, vividly, aware; and her Odessa is the wife of Herbert and the mother of Selma, Theodore, and Franklin, and Odessa’s voice at essays seekers home with her children has authority, the authority of honest emotion and personal responsibility. The film The Long Walk Home begins in the age of Dwight Eisenhower, during the year Whoopi Goldberg was born to a teacher mother in New York: 1955. It takes place in a land of long hot summers, a culture of statement ending, fear and fun scholarship essay questions, insult, a land of pine trees, oak, and the southern magnolia, a terrain for lumber and coal and cotton and chickens, the Alabama of history and nightmare, as southern a place as exists, bound by ending Tennessee, Georgia, Mississippi, Florida and the Gulf, a land of resistance to essays on metaphysics, social equality. In the ending, very beginning of December 1955, the seamstress and NAACP member Rosa Parks was riding on a segregated bus in Montgomery, Alabama—in the first seat allocated for blacks behind the ten front seats allocated for whites—and when Miss Rosa Parks refused to give up her seat for questions a white passenger, Parks was arrested, convicted, and her case appealed. However, the statement ending, boycott of the education narrative essay, town’s bus system would last for more than a year, for three-hundred and eighty-one days; and finally first a federal district court then the Supreme Court would rule segregated buses as being against the country’s Constitution. Statement Ending. It was, for African-Americans, a time of shared purpose and essay as a, sacrifice, a time of danger. Lord, don’t pass Montgomery by . It was for the nation a time of turmoil, hope, and change.

One sees the relationship of the individual to family and community in the film The Long Walk Home : we, in the film audience, see the personal statement, black woman maid, Odessa Cotter, at home, on the bus standing before the boycott, then during the boycott taking a long walk to work in the rain, and with her family in words for essays church among many. “Goldberg is the perfect embodiment of that quality of ordinariness; her greatness is in holding true to that most basic aspect of herself,” the Washington Post ’s Hal Hinson wrote in his March 1991 review. An early scene shows the maid Odessa Cotter—who cooks, cleans, irons clothes, and personal ending, takes care of a caucasian woman’s children—when Odessa is humiliated—and terrified—by a young white male police officer as Odessa takes care of her young white girl charges in a park designated as white, a segregated locale; and Odessa’s employer Miriam gets the offending man to apologize to essays on refugees, the housekeeper and the children, a perfect apology—from himself, the police department, and the city. Later when the bus boycott begins in Montgomery, a small city with one and two-story buildings and ending, old-fashion faces, we see Odessa and education, her family observe the early morning bus rollout with no one on any of the buses. Personal Statement. The ordinary well-dressed Negroes walk to work, or wherever they need to go, their feet hurting, sometimes bleeding—determined for equality, freedom, justice. Odessa and education essay, her family walk among them, even though walking means Odessa will arrive home at night too late to cook and statement ending, too tired to clean. Part Of Education. People wake early to walk or find shared private transport.

The community seems unified, but of course appearances can be deceptive—or incomplete: and Odessa’s daughter Selma disparages the boycott as an inconvenience, especially as she wants to take a bus to meet a distant boyfriend. The girl’s younger brother Theodore has a better understanding of the political struggle than Selma does (the girl, both understandable and foolish, is one of personal statement, those characters one yearns to strangle). The organizing and essays on metaphysics, visionary young—twenty-six years old!—minister Martin Luther King Jr.’s voice is heard in church, and coming through speakers placed outside for the large overflowing audience: Martin King connects the ending, black protest to the United States Constitution and to Christian morality. King sees and speaks of common virtues and values; a shared humanity. That was an essays, era when African-American leadership educated, guided, and embodied in public the best hopes and ideas of Negroes, the deep and statement ending, passionate commitment to liberty and progress, rather than pandering to, reflecting, and confirming the travelling as a part, ignorance of the worst elements in the black communities, their spiteful rage and useless resentment and disregard for education, accomplishment, and positive distinction. It was a time of dignity and spiritual strength, despite injustice and insult. Statement. The most despicable Negroes were not at the head of the essay as a of education, parade, shouting down reason, complexity, excellence, and human sympathy—they left that to ending, bigoted Americans of European descent. It was a noble time for African-Americans and other Americans of good will. “She don’t know us and she don’t want to essays on metaphysics, know us,” the servant Odessa Cotter’s husband Herbert Cotter says of the good white lady, Miriam Thompson, that his wife works for.

Yet, that employer Miriam volunteers to pick up her helper Odessa on the days that Miriam is in town shopping or running her own errands. The limits of personal statement, decency are demonstrated during a Thompson family Christmas dinner the maid Odessa helps to seekers, cook and ending, serve with the joking and words, practical but proud maid Claudia, a dinner at which one of the guests—the mother of Miriam’s husband Norman—makes overtly disrespectful and racist comments. Personal Statement Ending. The gathered white people’s fear of integration is coolly agitated, angrily disapproving, taking refuge in on metaphysics the use of the word nigger and statement, false suppositions about essays and asylum, Communism. They—Americans of European descent—imagine forced intimacies, and white communities that are no longer safe. Of Negroes, Norman’s brother Tunker says, “They start asking for more and doing less.” Tunker (Dylan Baker), an enthusiastic bigot as well as a doting uncle, and the other pale faces assembled are focused on notions of black laziness, though exploited black labor has been the backbone of the southern economy for centuries. (“They manage to create, deliberately, in every generation, the nigger they want to see,” said writer James Baldwin in “Black English: A Dishonest Argument,” his 1980 defense of culturally idiomatic speech, from The Cross of Redemption , Pantheon, 2010; page 128.) Odessa Cotter must be silent while hearing rudeness. Meanwhile Odessa’s blue-collared husband Herbert Cotter (a short-haired and statement ending, muscular Ving Rhames), who works in a glass factory and wants a seat in the front of the bus, and their children give Odessa new comfortable shoes and a new coat. There is another demonstration of the for essays, vulnerability of blacks when Odessa’s daughter Selma (Erika Alexander) bucks the boycott and takes a bus to meet a boyfriend, and finds herself on a bus with insulting white boys who harass, chase, and ending, attack her.

Her brother Theodore (Richard Habersham) and a cab driver come to Selma’s rescue, and her brother is beaten, while defending his sister—pushing a violent boy away from her—but Theodore acts without aggressive violence. The smart black boy, Theodore, is an embodiment of family love, understanding, and narrative essay, peace. When the family attends a church meeting, the personal ending, bruised boy is a figure of concern and respect. Narrative Essay. The real nature of people’s values is revealed. Lord, don’t pass Montgomery by are the words of a preaching minister after he and ending, his congregation hear the news about the bombing of Reverend King’s house. Miriam Thompson, the elegant but feisty lady of the house, the employer of Odessa Cotter, sees the car pool helping the Negroes travel, and, after the Martin Luther King Jr. house is bombed, Miriam considers Odessa—the mystery of Odessa, the distance between them—and Miriam’s own childhood with a black maid; and then Miriam begins to volunteer as a car pool driver, while her husband Norman (a lean Dwight Schultz, still youthful but with thinning hair) is going the opposite commentary, route: participating in the reactionary White Citizens Council, a large bustling council where there is casually hateful talk about niggers. It is interesting to see the council, full of men of differing complexions—it is statement almost always interesting to look on the skin tones of whites or blacks who are part of questions, self-segregated groups based on personal, color and to wonder about the roots of their varied pigmentation. On Refugees And Asylum Seekers. How can so many different shades of skin be referred to as white, or as black? The businessman, husband, and father Norman Thompson points to prominent politicians and businessmen who have joined the personal statement, citizens group, and Miriam says they would join a circus if they thought it would help their careers. It is easy to see how white masculinity and prestige are tied to the subjugation of blacks; and that white people fear and for essays, also face the loss of privilege when they stand up for justice involving blacks.

Miriam’s husband Norman is firmly disapproving when he finds out that Miriam has been driving Odessa, and he forbids it: “Don’t go off on statement, your own. Education. Ask me. I know what’s best,” he tells her. Personal Statement. His is the authority of the male, the authority of the money earner and fun scholarship essay, bill payer. Miriam first submits—telling Odessa her husband Norman is a good man, but culturally limited. (We know Norman loves his family, having seen him name the ending, streets in a new town subdivision after his wife and daughters, and happily taking home movies of his children.) The conversation between the two women, Miriam and Odessa, is of central importance. “What’s scaring you? Who you are, or who Mr. Thompson wants you to be?” Odessa asks Miriam. It is an example of the education narrative essay, recourse to good sense and truth that African-Americans are sometimes (yes, that presentation of earthy wisdom is also a cliche, though here insight redeems it).

In the conversation the personal statement ending, women have moved beyond their roles as employer and employee, and are simply trying to express what they perceive and think, what is true. It is the first, but not the last, very significant encounter. Sissy Spacek as Miriam performs with ease and energy throughout the film, creating a character that is decent, fair, and intelligent rather than predictably liberal. Spacek makes a strong southern accent tolerable by investing her speech with awareness and fun scholarship essay, sincerity. “What involved me was the way John Cork’s screenplay did not simply paint the two women as emblems of a cause, but saw them as particular individuals who defined themselves largely through their roles as wives and mothers,” wrote film critic Roger Ebert in his March 22, 1991 Chicago Sun-Times commentary (however, Ebert identifies the narrator as Miriam’s teenage daughter, rather than being the memory of the youngest, Mary Catherine: the little girl who imitates Odessa’s ironing and personal, loves her dolls and still believes in Santa). It is interesting to education, wonder, here and elsewhere, how the individual spirit is compromised by personal statement ending social roles, whether those roles are considered benign or malignant. Who are Miriam and Odessa apart from education essay their roles as wives and mothers? Miriam rebels, and ending, her bond with Odessa grows into friendship but there is a break between Miriam and her husband, with the film ending with an image of interracial connection despite the threat of communal white male violence. The interracial friendship defies the strategies established to diminish African-American agency and accomplishment: strategies that require or encourage the maintenance of ignorance, the limited economic opportunity, the lack of social support, the essays, marginalization, and the harsh judgments; the whole system of statement, values and money and power and imagery promoting whiteness and denigrating blackness. On Metaphysics. The human bond of friendship, confirmed and deepened by political participation, is a victory. The human presence—the body, mind, and spirit—is what is born, nurtured, and protected, and personal statement ending, what is threatened, in society; and it is human value that perpetually must be fought for.

The arts—film and literature and music and paintings—express what is at stake in that struggle, and how that struggle is often won or loss; and critics, intellectuals, and scholars—working for knowledge, love, pleasure, power, pride, money, and fame—study the as a, arts, understanding their form and content, evaluating, describing, preserving, and explaining their beauty, emotion, technique, and meaning. It is sad to think that the humanity of African-Americans as individuals or a group could be in doubt at this late date, but some prejudice remains, as personal experience attests and contemplation of the statement, cinema record confirms. In the anthology Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies , edited by Mia Mask and published by Routledge in 2012, are the articles “Paul Robeson and the End of his ‘Movie’ Career” by Charles Musser; “The Burden of the Beautiful Beast: Visualization and the Black Male Body” by Keith M. Education. Harris; “Reckless Eyeballing: Coonskin , Film Blackness and the Racial Grotesque” by Michael B. Gillespie; “The Measure of Men: Legacies of Poitier’s A Piece of the Action ” by Ian Gregory Strachan; “ Bamboozled : In the Mirror of Abjection” by Ed Guerrero; “Between Documentary and statement, the Avant-Garde: Exploring the Visual Poetics of Ruins in Christopher Harris’s still/here ” by Terri Francis; “Who’s behind that Fat Suit? Momma, Madea, Rasputia and the Politics of essays, Cross-Dressing” by Mia Mask; “Disney’s Improvisation: New Orleans’ Second Line, Racial Masquerade and personal statement, the Reproduction of Whiteness in on refugees and asylum The Princess and the Frog ” by Sarita McCoy Gregory; “Shadowboxing: Lee Daniels’s Nonrepresentational Cinema” by Alessandra Raengo; “‘I’m a Militant Queen’: Queering Blaxploitation Films” by Angelique Harris; and “Street Girls with No Future? Black Women Coming of personal statement, Age in the City” by Paula J. Massood. The editor Mia Mask is a Vassar College film professor who wrote the 2009 book Divas on Screen and Mask has contributed to Cineaste, Film and Literature, Film Quarterly and various publications. The other contributors are professors of film and African-American studies, political science, sociology, media and cultural studies, American studies, and education, English literature, with differentiating commitments to artistic styles, international films, female and personal statement, male performers, and even health issues. The book Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies is two-hundred and seventy-six pages of oedipus the king essays, essays and studies on films featuring and/or directed and produced by African-Americans, with a list of figures or illustrations, an acknowledgements page, a succinct introduction, short biographies of contributors, and an index to significant topics and references. The central texts vary in terms of difficulty and import, but they are all interesting reading to one extent or another; and the articles on the work of Paul Robeson and personal statement, Sidney Poitier, and Spike Lee’s Bamboozled and Leslie Harris’s Just Another Girl on the IRT were particularly rewarding, insightful texts on accessible films that present identifiable relationships, and ideas and situations of essays on metaphysics, both conflict and value, and the possibility of art and criticism as avenues for personal statement cultural intervention. In a world that knows more about itself than ever, Mia Mask’s Contemporary Black American Cinema: Race, Gender and on refugees, Sexuality at the Movies , a survey of “the current state of African American Cinema Studies and the issues impacting black filmmaking” (page 1), assumes the international nature of personal ending, art, the availability of essays, once obscure cultures, the prevalence and use of personal, recording technology, the internet as a communication and distribution system, and the interaction of academic disciplines.

Mia Mask notes that in recent decades “film scholars became even more aware of, and familiar with, national cinemas of the developing world” (page 3), and that fact, for one thing, has nurtured greater interest in the neglected film cultures in oedipus the king essays the United States among its own scholars and statement ending, critics and film viewers, though it remains difficult for blacks to make films within or welcomed by the mainstream cinema industry. The anthology demonstrates and education, explores the significance of the work that has been made. In Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies , Charles Musser’s essay on the actor, athlete, scholar and activist Paul Robeson, the writer Musser asserts that reception of personal ending, Paul Robeson’s cinema work has been focused on its adherence to, or defiance of, stereotype, and that more emphasis could be placed on the actor’s participation in film form and strategy, on theater as a source for essays seekers film, on Robeson as a film documentarian, and on an understanding of the artistic process and ending, its difficulties. “We must try to be generous, and not just to Paul Robeson,” declares Charles Musser (page 17). Musser, who considers the Oscar Micheaux film Body and Soul (1925) that featured Paul Robeson as a critique of three plays Robeson had appeared in, points to the creation and reception of Robeson’s work in the motion picture Tales of Manhattan , a film in six different segments with themes of class, love, infidelity, morality, work, and crime, as an example of education, Musser’s concern with how Robeson’s work is personal seen. Narrative Essay. In the personal, episodic 1942 film Tales of Manhattan , which presents American situations of on refugees and asylum, wealth and statement, poverty, north and south, Paul Robeson and Ethel Waters play a southern couple, Luke and commentary words, Esther, who find money in a field, a gain that inspires moral discussion. What will be done with the money? Will Luke buy one or more tractors? Will the money be donated to personal ending, the battered church, which has a greedy minister?

What is good, or evil? Yet, the roles of Robeson and Waters were received by African- Americans and political liberals in the critical press as too simple, although the film attempted to use Luke and Esther to essays, critique more sophisticated milieus and practices. Statement. The film Tales of Manhattan , which featured Charles Boyer, Rita Hayworth, Henry Fonda, Charles Laughton and other top performers interpreting the commentary words, writing of Alan Campbell, Ben Hecht, and Donald Ogden Stewart, produced by Sam Spiegel and Boris Morros and directed by personal statement Julien Duvivier, was intended to embody a communal progressive ethos; and may be one more example of how good intentions can create controversy when it comes to words, politics. Perception defeated purpose. Even Robeson began to statement, apologize for the film, assuming its reception negated the ideas of words, its purpose and construction. Personal. “Duvivier created an elegant, international style for fun scholarship Tales of Manhattan ,” asserts Musser (page 22). If the honest but poor black people are accepted as the standard of morality in the film, as intended by the filmmakers, the other characters in the film look different. Is that perspective possible, even among liberals? Keith M. Harris’s consideration of the black male body, and power, surveillance, and subjection, as they occur in the films Glory, Pulp Fiction, Traffic, Clockers, Beloved, Looking for Langston and statement, various visual art works—including photographs and videos—is a bit sensational, with its academic language seeming a license for perverse speculation regarding desire and brutality in relation to essays on metaphysics, the black male body, particularly regarding the submission and anal penetration of the black male body, whereas the discussion by Michael B. Statement Ending. Gillespie of Ralph Bakshi’s animated (and live action) film Coonskin (1975) is an education essay, analysis of the predictable scandal surrounding the provocative depiction of ending, black figures, involving criminals, and essay, the migration from south to north, with sexual titillation involving miscegenation—and the film is seen as an statement, imaginative, satirical “exercise of the racial grotesque” (page 68). One can expect usually more dignity and illumination when the subject is Sidney Poitier, a figure of excellence.

Sidney Poitier, an intelligent and sensitive man, a good actor in No Way Out, Edge of the City, The Defiant Ones, Lilies of the questions, Field , and In the Heat of the Night among other motion pictures from the 1950s through the 1970s, and a likable model, has been celebrated and denigrated, in fact denigrated for ending the celebration that attended his work. The idea seems to have been: If you cannot have all the colored artists or stars you want, destroy the ones you do have. One intuits that some people—thinking that the essay, truth must be ugly—always prefer trash to treasure and thus reject artists and ending, thinkers of virtue. Essays. How does one manage a significant career if a large part of the audience does not understand the imaginative freedom of art or the relationship of inspiring ideals to discouraging reality? “The isolation that menaces all American artists is multiplied a thousand times, and becomes absolutely crucial and dangerous, for all black artists,” wrote James Baldwin in his sympathetic “Sidney Poitier” for Look magazine in July 1968 ( The Cross of Redemption , Pantheon, 2010; page 182). The conscientious Poitier hero found competition in new film figures in the early 1970s—in Sweet Sweetback, Shaft , and Super Fly , motion pictures with characters described by scholar Ian Gregory Strachan as “macho black heroes who were unrepentantly promiscuous; profane; violent; independent; were familiar with street life and the underworld (even if not a part of it, as in Shaft ’s case); and, above all, kicked whitey’s ass instead of kissing it” ( Contemporary Black American Cinema ; page 91). Within the paragraphs of Ian Gregory Strachan’s attentive discussion of Sidney Poitier’s work in “The Measure of Men,” Strachan shows how Poitier, an actor, director, and personal statement, producer, recognized the essays and asylum seekers, criticism of personal, Poitier’s work as too politely heroic and incorporated Poitier’s response in his own artistic productions, whether in drama or comedy: For Love of Ivy, Buck and the Preacher, A Warm December, Uptown Saturday Night, Let’s Do it Again , and essay as a, A Piece of the personal, Action . In A Piece of the words for essays, Action (1977), Poitier presented a figure who is transgressive and a father figure, someone who is both bad and good if not complex: Manny Durrell (Poitier) is personal statement a person who steals from organized crime men but respects education and fun scholarship questions, teaches useable survival principles—rationality, competence, manners, practicality, and sensitivity—to angry, needy young students. It is the personal ending, kind of narrative, complicated figure that Morgan Freeman ( Lean on personal statement, Me ) and Samuel Jackson ( Coach Carter ) would play, that even Denzel Washington ( Antwone Fisher ), Laurence Fishburne ( Higher Learning ), Ving Rhames ( Baby Boy ), and other actors would play. And Hamlet. In A Piece of the personal statement ending, Action , Poitier presented a man of genuine good within the appearance of bad. (Is that a humane and thoughtful as well as a practical strategy, or a strategy of too great a moral compromise?) The real world experience—rather than abstract ideals—of Manny Durrell (Poitier) helps him to communicate with and help frustrated and and asylum, disrespectful students who do not feel as if they are being prepared for a life of meaning or success. Still, Strachan notes how the film, while advocating personal responsibility, does not address systemic problems with African-American social participation and the assumption of a traditional masculine role of providing and protecting. One wonders: was Sidney Poitier or Denzel Washington ever more or less of a hero than most glamorous male stars?

Are not heroes usually embodiments of virtue? Heroes have abilities and opportunities—and responsibilities—denied to most people. Are African-American films only to be portraits of enraging and torturous struggle; or is personal victory, big and bold triumph, also allowed? Some of the most pleasing films have little or nothing to do with history, a political situation, or any kind of tragic pain for its lead African-American characters: Devil in a Blue Dress, Love Jones, A Rage in Harlem, The Secret Life of Bees , and Undercover Brother . Do films in other traditions carry the same narrow expectations as those for personal statement blacks? Would it be useful to see more comparisons of how African-American films relate to the dominant American films (featuring Americans of essay travelling, European descent)? What is the ending, relation of African-American films to the films of Europe or Africa and other locations? It is liberating to think of the diversity of classic, independent, and international films that have been enjoyed, and the king and hamlet, can be enjoyed: An American in personal statement ending Paris, Angels and Insects, Babette’s Feast, The Basileus Quartet, Beau Travail, Before Night Falls, Boesman and Lena, Chinese Box, The Discreet Charm of the education, Bourgeoisie, The Diving Bell and the Butterfly, Dogville, East of statement, Eden, Entre Nous, Far from Heaven, Farewell My Concubine, The Fast Runner, From Here to Eternity, Law of Desire, The Leopard, Liberal Arts, Moolaade, The Motorcycle Diaries, My Dinner with Andre, My Favorite Season, Nostalghia, Orlando, Oscar and on refugees and asylum, Lucinda, Pather Panchali, The Perks of Being a Wallflower, The Pillow Book, Pixote, Rendezvous in Paris, Rosa Luxemburg, Secrets and Lies, Sexy Beast, Sugar Cane Alley, Thirty-two Short Films about Glenn Gould, A Time for Drunken Horses, Time Regained, Strawberry and Chocolate, Taboo, Temptress Moon, The Tragedy of a Ridiculous Man, Xica da Silva, Walking and Talking, The Wedding Banquet, Wild Strawberries , and The Wind Will Carry Us and Wings of Desire and The Words . Will many people ever feel as great a wonder for African-American films featuring and directed by blacks? The common expectations for African-American film have been much less.

Ed Guerrero’s thorough and possibly classical commentary on Spike Lee’s furiously thoughtful motion picture Bamboozled (2000), in the book Contemporary Black American Cinema , is about the mocking image of blacks in media, interrogated in a Lee film informed by personal statement performance and political history and shaped by a brutally honest satirical thrust; and the film Bamboozled is dramatic and documentary, telling the story of an essays on metaphysics, African-American television writer who revives the personal statement ending, minstrel tradition for a show that becomes popular. Spike Lee argues that blacks, like whites, have begun to sell a variety of negative images of Negroes to gain social approval and financial reward. “White Americans tend to essays seekers, work out the narratives and personal ending, scenes of their cinematic lives through a general process of affirmation , whereas black Americans struggle with the oedipus the king and hamlet, mysteries and tangles of their big screen issues and images through a generalized process of personal statement ending, negation ,” declares Ed Guerrero in “ Bamboozled : In the Mirror of Abjection” (pages 109-110). The province of blacks is pathology; and while the image of blacks is as a often one of abjection, that of whites is frequently one of affirmation. Statement Ending. Even in comedy, sometimes especially in comedy, black complexity and humanity can be denied: is there anything more lethal than refusing to take someone seriously? Citations are made, on the negative side, of the minstrel tradition and of Bert Williams, and Jar Jar Binks in Star Wars , and the magical Negro in The Legend of Bagger Vance and the family mess—obesity, incest, violence, disease—in Precious ; and, on the positive side, are Hollywood Shuffle , White Man’s Burden , and Bulworth . Words. Gangster films and hip-hop and violent forms of ending, black nationalism can contribute—and have contributed—to the perception of pathology. The reader is apprehensive about Guerrero’s consistent binary oppositions, even as he/she can recognize the accuracy of Guerrero’s observations. In Spike Lee’s Bamboozled (2000), the television writer, Damon Wayans as Pierre Delacroix, learns that it is not possible for the images of blacks to be too foolish, too inhumane, or too negative to be believed. Yet, one wonders about the inclination to confuse the sign for the signified: images may be articulate and influential, but what is the nature of the authority behind an image? What are the intellectual and financial and social roots of that authority, and what are its purposes, and how can it be defeated or transformed? Which ideas, and oedipus the king, what spirit, and which practices can be transformative? In Bamboozled , it is violence that is personal ending presented as response, as retribution, in several instances—something that can be seen as intellectually and spiritually immature, though it is very American in its romantic and on refugees, vicious practicality.

Of course, any corporate officers killed in Bamboozled , or in society, will be replaced—immediately, simply—by the system that produces and appoints them. In other essays, Terri Francis parses the connections among experimental film, Hollywood film, history, and personal statement, ordinary black life in Christopher Harris’s still/here , a sixty-minute documentary film construction centered on fun scholarship essay questions, ruined buildings in St. Louis; and Mia Mask takes a closer view of the popular inclination of black men—Martin Lawrence, Tyler Perry, and Eddie Murphy—to appear in female drag in cinema, and at the possibilities for empathy, burlesque, and homoeroticism that impersonation offers; and Sarita McCoy Gregory examines the contradictory aspects of Disney’s first black princess, Tiana, a free and pretty New Orleans girl who is personal statement ending kissed and transformed by a frog prince, and whom for much of the film— The Princess and the Frog —is a frog rather than a girl, and whose centrality in the film’s narrative is subverted by a blonde girl. Do films present exact reflections, or more ambiguous traces—or realities only imagined and yet to be created? Different films do different things. Essays On Refugees Seekers. How Lee Daniels evades some of the statement, typical and static representations of race is the oedipus the king essays, point of Alessandra Raengo’s essay on Shadowboxing and Precious (Bell Hooks takes a very different view—discussing Precious as degrading—in her own Routledge book Writing Beyond Race ). Personal Statement Ending. “Whereas the paradigm of the mirror focuses on essays on refugees and asylum, the authenticity and truth-value of racial representations—that is, on personal, the extent to which they adequately (or not) portray black people—the paradigm of the shadow emphasizes that race is not a characteristic of certain people, but is rather a (visual) way of understanding and expressing a set of relationships among people,” asserts Alessandra Raengo (page 201). The shadow—a kind of association or residue of image—connects but does not represent, Raengo says. For Raengo, Lee Daniels in essays on refugees Precious (2009) gives his dark, large title character an inner life with a recourse to fantasy, an offset to the incestuous abuse she suffers, and personal statement ending, Daniels uses editing to provide answers to questions the girl has trouble addressing.

There is a creation of consciousness beyond the facts of body, circumstance, matter, and time. The African-American actor Cuba Gooding Jr. is a loving man whose business is education narrative violence and whose body is an ideal within built and natural environments of beauty, mystery, and danger in Lee Daniels’s film Shadowboxing (2005). In the film, about statement, family, love, sex, responsibility, and violence, “the erotic and the deadly are never neatly separated” (page 210). Natural fathers and mothers fail to protect, and adoptive parents assume responsibility. In an affair with his older and white and narrative essay, dying stepmother (Helen Mirren as Rose), a professional killer like him, Gooding as Mikey is a bringer of pleasure and of death: out of sympathy, Mikey kills the ill Rose while they are having sex. The usual boundaries—among blacks and whites, men and women, parents and children—are not determinate, are elided. Angelique Harris identifies the use of gay characters as cinema scoundrels and jesters in her piece “‘I’m a Militant Queen’,” her study of personal, twenty urban action crime dramas circa the early 1970s, some of the better known black exploitation—Blaxploitation—films: Harris finds hard black women, exploitive and violent, as sadistic lesbians in Coffy and Women in Cages —conceptions an on refugees seekers, artistic era removed from the more recent, acclaimed and statement ending, complex Pariah ; and she finds effeminate black homosexual figures—queens, forever in exile—used for their humor and pride, and for the contrast—sometimes affirmative, sometimes satirical—that they present to masculine leads, in Sweet Sweetback, Friday Foster , and Shaft . Oedipus. “In all of the films that portray a queer character, or make mention of homosexuality, it is clear that sexual minorities are considered deviant. Homosexuality is portrayed as abusive, blatantly offensive or humorous. The one notable exception to this pattern is the character Rollie, the openly gay Caucasian bartender in personal statement Shaft ,” Angelique Harris concludes (page 220). Oedipus Essays. The point seems rather obvious and predictable for those old films. What is the best way to be in the world if the society in which you live sees your ethnicity or sexuality with antagonism?

What are your chances for sanity, stability, and success? I suppose, if one is not going to speak about great figures such as essayist James Baldwin and political strategist Bayard Rustin, there is something to be said about and against some black gay men—the giggling, gossipy silliness and lack of intellectual range, the obsession with material things and personal, sex, the the king essays, envy and malice, and the pathetically desperate attempt to use racial animus against whites as a membership card with low-minded heterosexual blacks—but, in relation to the cinema, it might have been more fascinating to see analyses of black men who operate or attempt to operate in society on the same level as the other characters, rather than below them or at the margins of their lives: Will Smith as the class-defying and deceptive seducer of men in Six Degrees of statement ending, Separation ; or Denzel Washington in another 1990s film, Jonathan Demme’s drama Philadelphia , as a homophobic married lawyer who goes through a changed consciousness when he takes on a white gay and dying client; or the two men, both prisoners, one black and words for essays, one white, in a platonic love story, a friendship with the depth and loyalty of love, but without sex—Red (Morgan Freeman) and Andy (Tim Robbins), in Frank Darabont’s interpretation of a Stephen King story, The Shawshank Redemption (1994); or Dwight Ewell as the confident cosmopolitan lover of a married man with a lovely wife in ending Hal Hartley’s Flirt (1995); or the successful New York black gay writer, Patrick played by Rockmond Dunbar, who returns to his small-town southern home, after being told that a youthful dalliance with a girl has given him a son in Maurice Jamal’s comedy Dirty Laundry (2006). It would have been interesting to have black men—gay, bisexual, heterosexual, or celibate—who could be, and would be, eloquent about what they thought about affection and erotic pleasure, as well as other matters. The last essay is fun scholarship probably the best in personal Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies : Paula J. Massood’s thoughtful, warm analysis and appreciation of two independent films featuring African-American and Hispanic girls, Leslie Harris’s Just Another Girl on the IRT and Jim McKay’s Our Song , in the article “Street Girls with No Future? Black Women Coming of Age in the City,” which shows how vital, and delightful, unique perspectives, forms, and stories can be to viewers used to conventional work.

Paula Massood does not present films or film characters and their lives as problems to be solved, or as problems that justify the authority or effort of a critic or scholar. (The films are solutions; and she recognizes them as solutions.) While being as factual and as thoughtful as possible, and without denying difficulties, Massood presents creative work worthy of education narrative, celebration, films featuring exuberant colored girls at liberty in the city: Just Another Girl on the IRT and Our Song . Chantel is the ending, attractive and commentary words for essays, aware, irreverent working class main character in personal Leslie Harris’s Just Another Girl on the IRT (1992), a high school junior, a good student, who wants to go to medical school, and has decent, smart boyfriends, first Gerald then Tyrone, but wants to evade the usual entanglements of narrative essay, urban life, and yet finds herself pregnant. The film creates an personal statement, intimacy with the Brooklyn girl through observation, her narration, and direct address to questions, the camera: authority is given to the gaze and voice of personal statement ending, a black girl. Three young women are featured equally in education essay Jim McKay’s Our Song (2000), with their diverse concerns—friendship, education, music, work, health, and pregnancy. Statement. The Brooklyn girls in Jim McKay’s film have not given themselves the same extensive permission to be themselves as in Leslie Harris’s film, but both films show the inability of the young to anticipate all the oedipus the king, experiences and decisions that they are likely to face; and “McKay forgoes direct address and voice-over (more easily recognizable documentary conventions), instead opting for long takes and close-ups” (page 242). The respect of the filmmakers Leslie Harris and Jim McKay for statement ending their characters in those realistic narratives, and and asylum seekers, the respect of personal ending, Paula Massood for commentary for essays the films in personal ending her explication, comes through most vividly: that respect is a fundamental necessity in significant portraiture, and essay as a, it heals the personal, conflicted mind and on metaphysics, the wounded spirit. Individual freedom is protected by the laws of a democracy, but conformist customs, capitalist enticements, and criminality compete with, and subvert, those protections. There are important institutions in personal society—churches, temples, schools, offices, clubs, organizations—that discourage difference, independent thought, originality, and passion. One’s perception of opposition can inspire a greatly obstinate attitude.

It is rare for film, or any institution in the larger society, to present an ambitious, intelligent and furious person of color as admirable, as a complex figure who is interpreted as an embodiment of virtue, a difficult person but a person of value, someone who is worthy not only of acceptance but of love; and that is what Leslie Harris’s Just Another Girl on the IRT does. Chantel lives in conflict with areas of her environment; and fun scholarship essay questions, the conflict lives within her. Statement. Paula Massood observes of Chantel: “Her ambition, her academic excellence and her looks are, in Chantel’s opinion, real markers of her difference (even though the film’s title ironically plays with this notion). It is, however, Chantel’s solipsistic confidence in the king and hamlet being an exception that works against personal statement her best interests. Her most emotional—and poorly articulated—behavior is in reaction to criticism about her personality” (page 238).

Chantel answers her monoculture history teacher in a way that is heard as particularly rude, and when she is sent to the king, the principal’s office, the personal ending, principal points to Chantel’s language—Chantel curses sometimes—as proof that Chantel is not the essay part, kind of statement, person who would do well in college. Chantel does not fit the oedipus the king, positive profile in the principal’s mind, although her grades are good. That attitude and personal statement ending, its negative consequence are recognizable—Chantel and her situation seem real. Chantel, who has to learn both official knowledge and radical views for her own survival, is essays expected to sit still for a history lesson that does not recognize the existence or contributions of Africans or African-Americans, though she knows better; and she is not expected to defend herself or her ideas. “Harris gives Chantel control of the situation (and the scene) by literally shutting out Mr. Moore’s lecture via a direct address sequence that privileges the teen’s voice and thoughts over personal statement ending, the teacher’s,” notes Massood (page 238). Chantel is confident and knowing but she does not know enough to be diplomatic—but diplomacy can look and even feel like weakness when you are fighting for essay as a part of education your life. That kind of conundrum does not make its way into many films, though it is felt by many people of color every day—and it is in personal statement Just Another Girl on the IRT . How are you to prosper without the words, kind of statement, instruction and support that the privileged get as a matter of course?

How do you survive the rituals and rules that were not evolved for your benefit? How can you be both free and safe? How can you reconcile thought and emotion; and individuality and community? Chantel, attracted to a young man with money, betrays herself by not insisting on the use of oedipus the king essays, a condom when the two have sex, and she is alone with her dilemma—burdened by choices and what they mean—when she finds herself pregnant. Burdened by statement ending choices, as most of us are. (Essay submitted March 26, 2013) Daniel Garrett, a child of the American south, Louisiana, where he grew up reading, taking photographs, and enjoying fishing and a good summer barbecue. Essays On Refugees Seekers. Daniel moved to statement ending, New York and essays on metaphysics, became a graduate of the New School for Social Research, was an intern at Africa Report , poetry editor for the male feminist magazine Changing Men , founded and acted as principal organizer of the Cultural Politics Discussion Group at ABC No Rio and Poets House, wrote about painter Henry Tanner for Art Antiques , and personal, organized the essays on refugees, first interdepartmental environmental justice meeting at Audubon. Long interested in human complexity, intelligence, experiment, and cultural diversity, Garrett has researched various cultures, and he wrote about statement ending, fiction and as a part of education, poetry for World Literature Today and international film for Offscreen , and has done music reviews that constitute a history of popular music for The Compulsive Reader . His work has appeared as well in The African , All About Jazz , American Book Review , Black Film Review , Cinetext , Contact II , Film International , The Humanist , Hyphen , Illuminations , Muse Apprentice Guild , Option, Pop Matters , Quarterly Black Review of Books , Rain Taxi , Red River Review , Review of Contemporary Fiction , and Wax Poetics . He returned to statement, the south, where he worked on philosophical fiction, the novel A Stranger on Earth . Monsters, Mad Scientists and Cultural Contexts of Horror. Celluloid Vampires Book Review: No Fang Left Unturned.

An Interview with Jill C. Essays. Nelson: Author of Golden Goddesses: 25 Legendary Women of personal ending, Classic Erotic Cinema, 1968-1985. Shotgun Stories, Taking Shelter, Mud: Jeff Nichols’s Trilogy on the Transition of Fathers and oedipus the king and hamlet, Sons in the Postmodern Era. Every Day is a New Day: Art, Biography, Criticism, and the Changing Fortunes of Diana Ross. Shirley Knight and the Performance of Gendered Race in personal ending Dutchman. “Woman, Thou Art Loosed” and on metaphysics, “Moolaade” Rodney Evans’s Brother to Brother; or, “James Baldwin is Dead”

1997 2017 Offscreen, ISSN 1712-9559.

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essay industries inc September 21, 2017. Farmland Industries Inc. Essay, Research Paper. Today, when we hear the mottos “ better agriculture, better nutrient, ” or “ proud to. be husbandman owned ” one company comes to mind, Farmland Industries.

We may. think of this of this luck 500 company as a taking agricultural. human dynamo, which it is, nevertheless, it was non ever that manner. Farmland Industries Inc. was founded by Howard A. Cowden, who was born and. raised in personal statement Southwestern Missouri. And Asylum. Cowden started immature in ending the co-op. concern by working for the Missouri Farmers Association ( MFA ) . However ; in. October of 1927, he had resigned from the place of secretary for the MFA. and started out on his ain. Immediately following, Cowden received the essays MFA. oil contract that antecedently had been held with Standard Oil Company, and.

Cowden was now in the sweeping oil concern. On January 27, 1928, Cowden. Oil Company was founded. Personal Statement. This concern was moved to Kansas City, Missouri. In January of 1929, Cowden Oil Company was dissolved and Union Oil Company.

( Cooperative ) was formed. It was clear that Cowden had planned to make more. than merely purchase and sell oil to local co-ops. A board of managers was. created to run the company, yet Cowden retained full control over on metaphysics, the. company that he had created. Cowden started enrolling smaller companies to. fall in their concerted by subscribing contracts to personal ending, sell certain sums of. Union? s merchandises. In 1929, Union Oil Company had purchased its first land.

“ The Two Car Garage, ” as it is referred to, was the edifice that they had. purchase to go their new place. In 1935, Union Oil Company changed its name to Consumers Cooperative. Association ( CCA ) . CO-OP was decided to be its official logo. In October. of 1956, CCA moved to their new place on North Oak Trafficway, in narrative Kansas.

City, and the company was ready for major concern. In June of 1961, Howard. A. Cowden retired as President of CCA and Homer Young stepped in to make full. In early to mid 1966, CCA changed its name once more. This clip to Farmland. Industries, Inc. Statement Ending. , nevertheless ; they still kept that CO-OP symbol for a. hallmark. CCA now emphasized much of fun scholarship, its concern to fertilizer, crude oil. and commercial provender. This concern merely grew and grew for personal statement them. “ By 1967, Farmland Industries had fabrication installations for assorted sorts of.

fertiliser at Lawrence, Kansas ; Hastings, Nebraska ; Green Bay, Florida ; Fort. Dodge, Iowa ; Joplin, Missouri, and essays seekers, a works under building in Dodge City ” From here, Farmland Industries merely increased its size, gross revenues, and. dividends, non to advert popularity. Some of the major lines include: Food Marketing, Feed, Crop Production, Grain, Beef, and personal ending, Pork. Of class, there are many, many other lines that the company has produced throughout. the old ages. Some of these things include: Ful-O-Pep ( Union Oil Company? s. “ Antiknock ” gas designed to essays seekers, vie with ethyl ) , CO-OP tyres, Batteries, Grocery stores, Canning and Dehydration, Tractors, Paint, Twine, Steel edifices, and many other successful ventures, along with many other floating-point operations.

“ We? ve been working to better margins-by lowering costs, by implementing. shared border plans, by personal offering prebooking, and undertaking plans in. fuel, harvest production, merchandises, #038; A ; feed-and by increasing our accent on. supplying timely information and as a of education, other services ” ( Annual 94 2 ) . Today, Farmland is the largest farmer-owned agricultural input co-op. in the United States. Its mission is: To be a producer-driven, customer-focused and profitable “ ag supply to consumer nutrients ” cooperative. system ( The Farmland Cooperative System 6 ) . The people of Farmland. Industries believe in American agribusiness.

They believe that everyone. involved in progressive agribusiness in America today is entitled to a return. on their investings. Farmland? s universe central office are located in Kansas City, Missouri. The. metropolis is located on personal ending the Bankss of the Missouri river in western Missouri.

The. metropolitan country itself includes four counties in the province of commentary, Kansas which. aids make up its population of 1.65 million people ( U.S. Personal Statement. Bureau of essays, the. Census 1 ) . Statement Ending. Harmonizing to the U.S. Census Bureau, 82.2 per centum of this. population are White, 12.7 per centum are Black, 3.1 per centum are Hispanic, and.

1.9 per on metaphysics centum include assorted other Races ( 1 ) . In 1995, the estimated Kansas. City average household income was $ 37,841. Thirty-eight per centum of the. families in personal statement ending the metro country have an effectual purchasing power ( this is the. discretional income families have after paying off all debts ) of seekers, more.

than $ 50,000 per twelvemonth ( U.S. Bureau of the Census ) . Statement. Kansas City besides boasts. one of the lowest cost of life in major metropolitan countries. Education Narrative Essay. It ranked. 3rd among 25 metropoliss with populations above 1.5 million people ( U.S. Bureau. There are many exciting things to make one time you? re in statement Kansas City. And Hamlet Essays. If.

gaming is what you are looking for, the personal ending metro country offers five river boat. chancing constitutions ( Alm 61 ) . In add-on to essays on refugees, the casinos, year-around. Canis familiaris racing and seasonal Equus caballus racing is offered at The Woodlands in Kansas. City, KS. Kansas City besides offers featuring exhilaration.

The Kansas City. Blades for the hockey fans, the Kansas City Royals, a major conference baseball. squad and the Kansas City Chiefs, a professional football squad, in personal statement ending which. Farmland Industries is a major protagonist. Approximately 500,000 husbandmans and the king and hamlet essays, ranchers across the Midwest own the. Farmland Cooperative system.

The concerted system was built to function. these people. Their economic benefit is why it continues to be and personal statement ending, germinate. ( The Farmland Cooperative System 1 ) . These manufacturers own more than 1,400 farmer-cooperative associations which, in bend, ain Farmland Industries, Inc. Essays On Metaphysics. , their regional agricultural. co-op ( The Farmland Cooperative System 17 ) . More than 13,000. farm animal manufacturers besides own the statement regional cooperative straight, since it is.

through this entity that they market and words for essays, add value to their pigs and cowss. It is this web of personal, husbandmans, farmer-cooperatives and essays on metaphysics, regional? and personal ending, the many. people who work for them #038; # 8211 ; that make up the Farmland Cooperative System. Each member of this web has of import functions in guaranting its sum, Farmland is the largest farmer-owned regional cooperative in America, with gross revenues.

in 1995, numbering $ 7.3 billion and it does concern in essays on metaphysics all 50 provinces and. over 70 states ( The Farmland Cooperative System 17 ) . Its proprietors, who. represent 22 Midwestern provinces account for 80 % of statement ending, U.S. grain and and asylum seekers, farm animal. production, set the personal policies and way for their regional through. elected representatives to their local association and regional boards of.

managers ( The Farmland Cooperative System 17 ) . Their locally based. farmer-cooperative associations map as cardinal links between the husbandman. and their regional in planing the system? s merchandises, services, and. information to run into their single demands. Questions. The flexibleness and. reactivity of these associations give them an advantage over other. agricultural input providers ( The Farmland Cooperative System 12 ) . Farmland and the 1000s of people it employs are compelled by one common. intent: to statement, assist its farmer-owners accomplish long-run success in.

agribusiness by positioning them and essays on metaphysics, their system as competitory forces in. To be competitory in the universe market place, the system? s producer-owners. must go on to happen ways to personal, take down their unit production costs, increase. their market entree, and procure higher returns from their farm merchandises? that. is, increase their grosss from the education essay “ farm gate to consumer ” sector of the. nutrient concatenation. Helping them do that is the primary focal point of their locally. based and statement, regional co-ops. Lowering their production costs, increasing markets for their farm.

merchandises, and bettering the quality of their grains and farm animal through. engineering are cardinal maps their Concerted system performs for its. proprietors to assist them better their profitableness. Oedipus And Hamlet Essays. Expanded markets and. better quality frequently translate into higher monetary values for statement their farm trade goods. Naturally, the successes Farmland has enjoyed and the merchandises and.

services they provide their frequenters have non come overnight or by foolhardy. leading. It has been a long procedure led by work forces and essay, adult females dedicated to. the promotion of agribusiness. As with any major corporation, a competent direction staff is critical to.

the well being of the company. The direction staff acts as the. substructure of the company, doing certain that orders are handed down and. Farmland Industries Inc. is governed by 21 Board of Directors that consist. of “ outstanding husbandmans, ranchers, and directors of husbandman cooperatives throughout.

the Midwest ” ( Tolley 1 ) . Personal. Each of the members of the Board of Directors is. elected to a three-year term ( Farmland 23 ) . President and main executive. officer Harry Cleberg is the essay as a of education leader of the Farmland squad and is besides a. member of the Board of personal statement ending, Directors. He has been with the company for 37 old ages. and named CEO in April 1991 and late been named Agri-Marketer of the. twelvemonth ( Hartke C ) . As CEO, Cleberg must make a motivational factor for Farmland? s employees.

He does non make this by sitting in oedipus the king essays his office all twenty-four hours as one would believe, but. he really goes into the work countries and meets with many of the 14,000. employees ( Hartke C ) . He enjoys doing unheralded visits to assorted countries, and even sits in “ small-group meetings that he calls? listening stations, ? ” covering all 22 province trade countries every 18 months. Personal Ending. ( Hartke C ) . These. listening stations which Cleberg speaks with consist of narrative, employees and directors. runing in size from personal statement ending, 10 to 100 people. Harmonizing to commentary for essays, Harry Cleberg, he spends about 70 per centum of his clip outside. his office actively pass oning with other people in their offices ( Hartke. D ) . Personal. He has a seven member senior direction staff that he meets with for. about four hours one time a hebdomad. Words. The senior direction staff and ending, council “ are.

made up of extremely skilled persons ” ( Farmland 23 ) . In add-on to education, this, he besides meets with staff managers every hebdomad for personal about three hours ( Hartke. D ) . This adult male did non acquire to the top if Kansas City? s largest private. company ( Kansas City Business Journal 20 ) by and hamlet sitting in board suites and. speaking on the telephone, but he makes it a point to pass on one on one. with the employees and statement, director. Farmland has a traditional direction manner, with three Executive Vice. Presidents straight under Cleberg that are responsible for essay a major nucleus. concern country.

There are chiseled lines of authorization and ordinary. beds of direction ( Tolley 1 ) . Farmland evokes a “ household feeling ” by. implicating the usage of squads in determination devising procedures ( Tolley 1 ) . Harmonizing to Warren Tolley, Director of Employee and Organizational. Development, “ It is non unusual to statement, happen employees that have been here 20 to. 30 old ages, and most of them with Agricultural roots ” ( 1 ) . Farmland focuses on employee satisfaction, doing employee feedback. necessary if betterments are to be initiated. Harmonizing to oedipus and hamlet, Cleberg, “ If. you wear? Ts have some signifier of on a regular basis scheduled communicating, you? ll. communicate merely after you should hold communicated ” ( Hartke D ) . By this.

statement, Farmland? s CEO stresses the importance of employees? appropriate. communicating within an personal statement, organisation. At Farmland direction focal point on “ entire use of all assets of travelling, the. division ” ( Farmland 16 ) . Their chief focal point is to bring forth higher borders, cut down costs, and better the competitory place. In today? s market, direction plays a bigger function than it has in the yesteryear. Competition is. greater, intending that holding current information, better and more advanced. direction accomplishments, and statement ending, entree to fun scholarship essay, funding are really critical to the underside. line of the company ( Farmland 16 ) . Education #038; A ; Training.

Early on into Farmland #038; # 8217 ; s history, few educational meetings had been held. However, they all of a sudden realized how of ending, import the instruction procedure was for. the cooperation motion. Sessions held for directors and other functionaries. affiliated with what was so Union Oil company, were held as far north as. Aberdeen, South Dakota, and as far south as McPherson, Kansas. Harmonizing to. Homer Young, “ Education is the main job of the concerted motion ” In 1936-37, Farmland cooperated with Kansas State college to essay, offer a seven. hebdomad developing class to develop Farmland? s leaders. They instantly hired.

four of the 30 pupils that graduated from the class. By the 1970? s. Farmland had several preparation techniques. Some of these were located at personal ending, the. School of Cooperation, named the Farmland Training Center in education narrative 1975, while. others were carried on out in ending the Fieldss. By 1977 the centre had 18.

professional teachers on staff. There were developing plans for. concerted members, board members, gross revenues representatives, concerted. comptrollers, those managing particular merchandises such as crude oil and oedipus, other. chemicals, and many others ( Fite 105 ) . Today, there is a enormous sum of developing traveling on at Farmland. “ Each twelvemonth, through an understanding with Rockhurst College in personal statement ending Kansas City, about 12 of the the king top executives are nominated and statement ending, sent to an Executive MBA.

plan, which lasts two old ages, with categories held on surrogate Fridays and. Sabbatums ” ( Tolley 2 ) . “ When they are through, ” says John Eller, manager. of IS Planning, “ these employees can reasonably much compose their ain calling. tickets ” ( Computerworld 43 ) . Each and every employee gets to words for essays, travel through. preparation, non merely top executives. Ending. Everyone takes categories on such things as. time-management, job resolution, sexual torment, and even team-building.

As stated earlier, Farmland Industries Inc. does concern in over 70. states around the universe. Commentary. The largest international office is in Mexico. City, Mexico. This subdivision office is personal statement, used in this subdivision as an illustration of. an international office. In the Mexico City office, all of the Farmland employees are trained so they. have an thought of the size of the company and how each subdivision of the fun scholarship company. plants. Statement Ending. By leting employees to understand this procedure, possible. clients can be brought to the company and referred to the pertinent.

sections. During the preparation, all the forces are taught about the. concerted determination doing procedure. Consequently, they will larn about. the doctrine and operational procedure of essay travelling as a part, each division ( Cabrera ) . The Farmland office in Mexico City is a subordinate for the offices in. Kansas City.

Their map is to present Farmland into the Latin. American states, expression for investors, find new distributers, learn about. other states? recognition system, Torahs and ordinance from their sections. of agribusiness, and most of import of all, learn about the civilizations and. place all merchandises that will be successful in their market ( Cabrera ) . Farmland is selling provender, meat, and favored nutrient to the Mexican and Latin. American consumers.

Besides, they are get downing to present oil in signifier of. lubricators, gasolene, and other oil based merchandises. They have merchandises. being sold in some European states and Asiatic states. All offices in. these states are considered distributers for Farmland, hence ; they. the capacity to import and do gross revenues individually from the Kansas City. offices. On the contrary, the statement ending office in essay travelling of education Mexico is in charge of developing. new clients for the concerted and doing the gross revenues. All orders are send.

back to Kansas City where they will take attention of presenting the merchandises. In Mexico metropolis, Farmland has approximately 100 clients and at personal, least one or two in. each Latin American state. Farmland is on metaphysics, a concerted that tries to keep a cultural diverseness. Statement Ending. In. most instances, the forces working abroad are originally from the state. where Farmland or the subordinate is based. Although being native of the.

state is narrative essay, non a demand, it is statement, of import to be fluid with that. peculiar linguistic communication and cognize the imposts of the state ( Cabrera ) . If we look at the Farmland office in Mexico City, we see that the gross revenues. forces must hold a good apprehension of the Latin American civilization, how. good they accept new merchandise thoughts, what is their lifestyle like, recognition. system, and travelling as a of education, most of import of all, how is the personal statement ending concern environment like. One large job a sales representative faces in Latin American states is the. recognition issue. Sing that Farmland has been working abroad for over a. decennary, it has non to the full developed trust on essay travelling as a of education the foreign economic systems. Statement Ending. In Latin.

American states, recognition is really hard to obtain and even if you get. the recognition approved by a bank or other entities, Farmland acts instead. cautiously and fun scholarship essay, makes this procedure hard for some companies. This is. one of the jobs salespeople encounter as they seek possible clients. The wages that Farmland offers abroad are really competitory, and they. fundamentally fit the statement ending wages offered by narrative other taking companies. Income is. besides based on instruction and experience. There are two different ways you.

will be paid when working for statement Farmland in a foreign state. If you are. working in the US. and so you are reassign to a foreign state, your. wage will non alter one time you are in the other office. In add-on to. regular wage, you will be given a per centum supernumerary on essay travelling as a part the currency of the. state where you are traveling to populate called exile allowance.

This. money is supposed to assist pay measures, such as house, nutrient, and other basic. The other manner you can acquire paid is in 100 % the currency of the state you. are populating in. This instance is merely applicable to personal statement ending, the people who have been. hired by the subordinate in a specific state ( Cabrera ) . As portion of the preparation, we let people know public presentation will be measured in.

a annual bases. Essay As A. When you are hired, you are requested to statement, put some. public presentation ends, where you will administer your clip given to the. company, given to the clients and to yourself. At the terminal of the twelvemonth you.

will run into with the fun scholarship essay questions supervisor for statement your division, and you both will analyse. your public presentation and find how productive you have been for education narrative the company. When the Mexico City office has people coming from the Kansas City office, they try to personal statement ending, explicate some cultural differences such as concern, tiffin hours, and working hours. In the concern facet, people must understand that the. Latin Americans rely a batch in the relationship that is on metaphysics, developed between the. sales representative and the purchaser. Personal. A written contract is non every bit valuable as the. trust that emerges from cognizing one another as persons. In Mexico, people work from 9am. to 6pm. , and their tiffin interruption is around 4:00pm. In.

some instances, people working in Mexico are suggested to get down the twenty-four hours a small. spot earlier, because in travelling as a part of education this manner they will be able to reach everyone in. Mexico and personal, Kansas City. From Monday trough Thursday, all people are. required to dress suit and tie, and Fridays everyone can dress more informal. These are some of the jobs and experiences that Farmland must confront to. do concern abroad. This is merely one illustration of the cultural diverseness, and.

every state will hold different state of affairss. In the oedipus the king essays agribusiness industry today, merely as anything else, things change. quickly. The American husbandman and personal statement ending, rancher demand person to inform them of. the alterations that need to be made, so assist them implement the alterations. They. besides need non merely to market his/her merchandise on commentary words for essays a local or national degree, but on a planetary graduated table to stay competitory. The American consumer as good.

as the international consumer demands to be confident that they are acquiring. first-class merchandise at a competitory monetary value. Farmland Industries is personal statement ending, the. important nexus between these two sections of the market. It is a system that. has proven strong for many decennaries and travelling part of education, promises to be strong for many more. Alm, Rick. “ Gamblin? on ending the River. ” The Kansas City Star Almanac. For Essays. 1996.

Cabrera, Mario. Personal Statement Ending. Telephone interview. 20 Nov. 1996. Fite, Gilbert C. Beyond the Fence Rows. University of Missouri Press, Columbia, Missouri, 1978. Fite, Gilbert C. Farm to Factory. University of education narrative, Missouri Press, Columbia, Hartke, Debby. “ Farmland? s Harry Cleberg: Agri-marketer of the twelvemonth. Personal Statement. ” Agri Marketing June 1996: A-D. Tolley, Warren D. E-mail to the writer.

8 October, 1996. “ Top 125 Area Private Companies-Part I. ” Kansas City Business Journal 14. 1992 Annual Report. The Farmland Cooperative System, 1993. 1994 Annual Report. The Farmland Cooperative System, 1995. 1995 Annual Report. The Farmland Cooperative System, 1996.

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essay country life Where is the most ideal living? if you have two choices: living in city or in country, which one will you choose? I think the most important decision to a happy life is where you choose to spend the personal rest of your life and how you want to live. In the country, you can have as many pets as you want, and you can play your music as loud as you want without the and hamlet essays neighbors complaining. Personal Ending! The country life is quiet and peace, country living look like a nice dream: hearing natural music, seeing sights, and planting trees.. As A Of Education! However, big city life is personal ending more appealing for the younger generation. Many young people would be bored to tears if they had to essays on refugees and asylum seekers, live in a country setting. The big city is full of exciting activities for the younger crowd, such as a variety of personal clubs, pubs, concerts, football games, and hanging out with their friends at the local mall. A big city exudes more energy, sparkle and glamour for those who seek living in metropolis surroundings. I also think country life is more healthy.

There are less pollution, fewer factories and less noise in the country. Trees are more abundant in the country, which means cleaner air to breathe. As A! You can sleep better at night without all the noises of the city. There is far less crime in the country, making it a safer place to statement ending, live. country people look younger than their ages and longer life because they enjoy relax living, fresh food and fresh air, In contrast, people in oedipus the king and hamlet essays, city are able to look like young by doctors, and have longer from taking care healthy systems and hospitals, Hospitals in personal ending, the big cities are abreast of the questions times, have more new technologies and statement ending innovations, and just at five minutes from your house. in addition, some people think that city life has more benefits than country's. City life is essays on refugees and asylum bustling with people, traffic, noise and pollution.

Yet more people prefer to live in the city. They prefer to live near the malls, coffee shops, cafes, universities, bookstores, public transportation, and many food stores, movie theatres, doctor’s offices, and post offices are more accessible. Your neighborhood grocer is right down the street, and so is your dry cleaners, your favorite fast food place, and personal statement ending most of all, you have a department store, for instance your neighborhood Wal-Mart is always nearby. Talk about work may be more difficult if you live in the country. The job market in the country is smaller than the job markets that could be found in the cities. In the country people have their farm and travelling of education even their own stores but in ending, the cities people are mostly working for companies operated or even owned by a bigger company.

In the city people believe that they have high education schools, hunting jobs, good opportunities than country people. In summary, there are many different reasons to choose a living place. Some people like fresh air, less pollution, natural and on metaphysics peaceful places, while others want a convenient life. in my mind, I always think that it is the city rather than the country. If you have two choices: living in city or in country , which one will you choose? Some people think that city living has more benefits than country's. However, some people agree that country living is statement a real life like a nice dream: hearing natural music, seeing sights,and planting trees. Today I will tell you what similarities and differences between city and country living , so we can get more widen views.

First similarity is convince. What is convince to you ? some ones say immediately this is only in city living. Nonetheless,it is not always true. Convince between city life and country life are showed very different. For example, in city, most all people like to buy serviced food and it is essays easy to have a meal in personal ending, few minutes, but they rarely can cook them well.

Whereas, in country, people gradually cook many kinds of food at home , so they can cook better than city people, save a lot of fun scholarship essay questions money and enjoy their own meals. Getting cooking experiences and improving cooking are able to do in country living. Some city people believe that they have high education schools, hunting jobs, good opportunities than country people. These are not wrong . In contrast, how can they have good services? almost all these are not free, they need paying many bills. That is why they have to have not only personal ending, one job but also more two ones. They work hard and it is and hamlet essays often more pressure than country people although they can have more advantages. Money not only brings people in city many convince but only personal statement, takes away time and physical labor. Country living is cheaper than city life,however, services are not enough like city living. Besides, you don't have to be worry too much about paying bills because you don't many services.

Without too much headache about money is convince of country people. More relaxing and enjoying with less advantages are in country different from more stressed and competitive with many advantages. Both city living and country living have convinces, but these are reflect differently. Second similarity is life conditions. Some old people design that life in country is magic like poems: seeing alive animals around you, sleeping on grass and enjoying light winds.The sound is alike interesting, romantic,and attracting. Fun Scholarship! On the other hand, some young people oppose that nothing can do in country where is boring and sad. In addition, people in personal statement, country breath fresher air and have quieter than people in city with pollution from crowded traffic, factories,and population.

Both people in city and country can get long life and young appearance . Because country people enjoy relax living, fresh food and fresh air , they look younger than their ages and longer life. In contrast, people in city are able to look like young by doctors, and essays on metaphysics have longer from taking care healthy systems and hospitals. Although doing different ways, not only city people but also country people can good life conditions. Third similarity is people's characteristics. Almost all people say that people in country are more friendly than people in city. Personal Statement! Talking to neighbors, making good friends and sharing experiences are usual in country living. While city people who are also friendly , they say hello or how are you? to neighbors because most of essays people don't have much time, and time is money for them. These are two different lifestyle between country and city living. In conclusion, neither city living nor country living is the best. Both of these are similar good about convinces, conditions, and people's characteristics though there have many ways to show these good similarities.Whatever they bring benefits people's lives.

In my view, I think that every things in life always exist two sides:a good side,and another bad side. Nothing is perfect even people; depending on your thoughts and hobbies. Statement Ending! you can choose where you love and can adapt easily is the narrative best choice to personal statement ending, you. The country lifestyle is much better and on metaphysics relaxed than city lifestyle. These two different types of livings have a lot in differences; the job market, the environment and even the people are where most of these differences could be found. The job market in the country is personal smaller than the job markets that could be found in the cities. In the country people have their farm and even their own stores but in the cities people are mostly working for companies operated or even owned by education narrative essay, a bigger company. Also in the country people are more open in exchanging goods and services in statement, return for fun scholarship such and in the cities it is only the money that makes everything possible. Peace of mind also comes free in the country simply because there is personal less to worry and questions stress about.

The environment in the country is by far beyond comparison with the cities, there are less pollution, fewer factories and less noise in the country; where as the personal statement cities are filled with cars and factories which are the essential reasons to noise and pollution. At last but not least the people living the different lifestyles in both cities and the country have a huge difference. The people n the country are less stressed and more happy simply because there is less items in their mind and essays on refugees and asylum life to deal with and they also tend to be more friendly towards others, but the people in the city have a lots to deal with and it sometimes gets over their shoulders and personal this causes them to be more on their guard and sometimes hurt others. It is with proving of the reasons above shown very clearly that the country lifestyle is essays much better than the personal city lifestyle. Commentary For Essays! But than again it is a choice made by ending, people based on their personality and their way of life where they would like to settle and live. City living has it’s advantages.

There are a variety of people who prefer to live in the country compared to city living. City life is bustling with people, traffic, noise and pollution. Yet more people prefer to live in the city. They prefer to live near the malls, coffee shops, cafes, universities, bookstores, public transportation, and many food stores. Movie theatres, doctor’s offices, and post offices are more accessible. Your neighborhood grocer is right down the street, and so is your dry cleaners, your favorite fast food place, and education essay most of personal statement all, you have a department store, for the king instance your neighborhood Wal-Mart is always nearby.

Big City life is more appealing for the younger generation. Many young people would be bored to tears if they had to live in a country setting. The big city is full of exciting activities for personal the younger crowd, such as a variety of clubs, pubs, concerts, football games, and hanging out with their friends at the local mall. Oedipus! A big city exudes more energy, sparkle and glamour for those who seek living in metropolis surroundings. There are known disadvantages to living in a metropolitan city. Driving in personal, big city traffic can be a nuisance if you have to commute to work when there is commentary a risk of being stuck in traffic on your way to work, or if you’re trying to statement ending, get somewhere on time. Commentary Words! Crime is ending always higher in a big city than in small country towns, and is another known disadvantage. Some poeple may say that city living is better than living in the country, or vice versa.

I believe it depends on the person, and their preference of how they want to live. In the country, you can have as many pets as you want, and you can play your music as loud as you want without the neighbors complaining. The country life is quiet, and serene. Essay Questions! Peace is the subject of desire for those of statement ending us who want to live without the noise of the fun scholarship questions big city. I can picture myself in ending, the country sitting on the front porch of my country cottage, overlooking a nice pond, on words a sunny day with a glass of lemonade, or just sitting and listening to the chirping of crickets and personal ending other noises on a cool summer’s night.

I can think of a number of activities and more positives of living in essay as a of education, a country setting. There is horseback riding, fishing, hayrides, and rodeos. Most people with their own homesteads are beekeepers, breed livestock, vegetable growers, and ending have plenty of country pets. Country living is education narrative essay most definitely the healthier way of life in regards to ending, cleaner air, growing and eating your own food, especially if it’s grown organically. Trees are more abundant in the country, which means cleaner air to breathe. You can sleep better at night without all the noises of the city.

There is far less crime in the country, making it a safer place to live. There are numerous hobbies for a country dweller. Most country ladies enjoy quilting bees, craft fairs, bake sales, country fairs, bazaars, while the essays on refugees and asylum men are out tending to the livestock, or hunting or fishing. After all the consideration of city living in personal, comparison to country life, I can say that city life is more upbeat with people moving about at a faster pace, full of life and vigor, whereas country life is more peaceful but allows for plenty of activities, although in the form of commentary a more laid back style of living. Personal Ending! The two have their own advantages. I was just thinking the other day: Everyone I know in the country is weird.

At least for my town, which has no stoplights and one main intersection, we are a little strange, I think. We don't get out much. We think running across the freeway is a thrill. I grew up playing in mud with frogs and snakes. Is that weird?

I feel like my friends and I have had a somewhat difficult time in mixing with others. I almost feel like if I had lived in the city, I might understand more about essays and asylum seekers other types of people (as I've said before, I am the only Asian in my town, along with my brother) and how they think and personal statement interact. I feel at times that I am behind on a lot of narrative essay things, including how to be cool. *buckteeth* I feel fortunate at the same time that I have grown up in personal ending, a rural area. I would never trade in my memories of playing in a stream, climbing trees galore, swimming in the river, and hiking up hills for essay travelling as a part a breathtaking view. Statement Ending! all within a half mile from my house. I sometimes feel sorry for my friends who were surrounded by asphalt, concrete, and power lines. I also think city life is much less healthy, what with all the waves radiating from wireless items like cell phones and Bluetooth, smog, gross water (tap water in the country is so much better than city tap, I can't even explain the difference), garbage. the country is so CLEAN. And Asylum Seekers! The sky is so expansive and the hills so extensive that I couldn't imagine such a thing as disease. The only people I know in my hometown with sicknesses smoke, color their hair, and eat too much aspartame.

The people who grow their own vegetables and sit outside during the evenings are pretty healthy, as far as I can see. Work may be more difficult if you live in the country - things get pretty dirty, and there's probably more yardwork (we have a big yard with bushes and trees and roses and more). You also have to look out for statement mountain lions and coyotes where I live. though I guess you have to oedipus essays, battle traffic and other such things in the city. It can be hard to bond with people in statement ending, the country due to the physical differences between homes, but at oedipus the king and hamlet essays the same time, there are so few people, you can't help but get together sometimes, and ending we are so close to our neighbors - even our city neighbors with weekend homes - that it's hard to essay travelling of education, believe. There are some fascinating structures in Urbania - beautiful buildings, great shows and parades, and statement ending breathtaking lights and signs. I envy the diversity as well, in every aspect from ethnicity and culture, sexual orientation (anyone homosexual where I live are considered. different), political views, and the king more. It's also nice how much people have in common where I live, though. I do like that I can set my own pace while living in the country. In the city, it seems like you're on personal statement a zillion schedules, and you have to depend on traffic, coworkers, prices. Commentary! city life is too fast sometimes, but that can be exciting in a good way, too.

There are pros and cons of city and country life. Please tell me some of statement ending your own benefits and/or disadvantages you may know of! Some people say that living in the countryside is the commentary best choice, because it is better for our heath. From my point of view, I agree with this statement, because living in the big city is more advantageous than living in statement, the countryside. I will show you the reasons why living in the big citi is better in the following. The fact that the fun scholarship essay countryside has fewer shops and personal statement ending services means that the fun scholarship people have fewer employment opportunities, and now with the crisis this is very important unless, you are a millionaire. Living in personal, big cities is easily to connect the several services such as the hospitals, the filling stations, the cinemas, the restaurants and the department stores because of the education narrative essay better communication and transport system. Statement! If the people in countryside want to connect these services, they have to on metaphysics, take a long distance probably the personal statement ending nearest hospital is at commentary words least at 30Km, and if you have an emergency, this is a lot of personal ending time. Hospitals in the big cities are abreast of the times, have more new technologies and innovations, and just at narrative five minutes from your house. In addition, living in personal statement, the big city offers you a variety of things to do in comparison to country living like shopping centers (where you can go when it is a cold day and the king and hamlet essays you want to go for personal statement ending a walk with your girlfriend). In the countryside during the day you can walk, run or go with your bike.

But when it gets dark you have to stay at essays on metaphysics home. However, people have different reasons for choose their place for living. Some like the peaceful places, fresh air, less pollutions and natural while others like the convenient life. Choose the appropriate place for you and your family life styles. Where do you imagine the most ideal living; in the country or the city? The most important decision to a happy life is where you choose to spend the rest of your life. Personal Ending! So where is the most exemplary place to live? I believe it is the the king and hamlet country rather than the statement city for numerous reasons.

The country has so many advantages including recreational activities, environmental factors, and the small peaceful communities.